Before I got a Kemper and the Dookie Drive, I would use amp sims from both of these. If you're going to use amp sims, check out Kazrog and TH-U. Probably my least favorite option though.
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I have gotten pretty close to nailing the tone with the free UAD marshall amp sim. The mids are boosted quite a bit, which is why the guitar has such high presence in Green Day songs). There is also an on-off button when activated, you can scoop the mids (You don't really want do to this for green day tones though. And Volume is like at 2 o'clock (you generally don't want to go any lower than this). Adjust the tone knob to at least 2 or 3 o'clock (or more. The insomniac songs are almost entirely Meat.
Most Dookie songs call for a blend of about 60 Meat/ 40 Pete.
More Pete? Turn the knob counter-clockwise. Set it to 12 o'clock and you get a 50/50 mix of Pete and Meat. This pedal sounds SPOT ON and is so easy to use. I play it through my Kemper and use a Fender Twin Reverb or a Hot Rod Deville profile. It's basically a marshall in a box pedal. It's a fairly new pedal and it does exactly what you think it does- it gives you the Dookie tone. The easiest way to do it these days is to get the MXR Dookie Drive pedal. Pete has lighter gain and is a bit brigther (I am pretty sure the song Pulling Teeth is like 90% Pete). Meat has killer gain with a very thick, dark tone (this is the amp that was emphasized more heavily throughout Insomniac). He would vary the tone from song to song by changing the level of each amp in his mix. I don't know the details about the other amp's mod, but people just refer to it as the dookie mod.
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One of them is cacading gain mod, which is a pretty common mod for the 59 superleadm (I think it's known as the Golub mod). I believe both amps were 1959 Marshall Superleads, and both were modded a bit differently from one another. He split the guitar signal so that he could play through two amps, simultaneously. The only tone I have spent more time trying to nail down is the Blue album tone.Īnyways, I have pretty much nailed the tone a few different ways.īefore I go over any of those ways, let me first talk about Billie Joe's rig that was used to record Dookie and Insomniac: